by Ruttkowski68 on March 24, 2014
Daniel Weissbach was only 12 when he decided to become an artist. While his first exposure to the field was through graffiti, he has since expanded into other disciplines – from works on canvas to mixed-media pieces to video projects and installations.
Whatever medium he uses, the 37-year-old Berliner explores concepts of time, momentum and eternity. It is again apparent in his latest exhibition at Cologne’s Ruttkowski;68 gallery. In Stellen, Weissbach takes things that escape our everyday perception and makes them visible and significant. He creates semblances of tiled walls recalling metro stations that adhere to strict geometric principles even as they deconstruct them. This results in a trompe l’oeil effect that first reveals how little we are aware of reality then compels us to question our perceptions, along with our environment and ego.
by Ruttkowski68 on January 21, 2014
HuskMitNavn, who is a Danish artist and Spain-based Canadian artist Michael Swaney are uniting their individual, yet contrasting styles in an exciting new collaboration, The hanging. The title refers both to the everyday act of hanging art on a wall and the once-common spectacle of publicly hanging a criminal for the entertainment of the masses. Witty and ironic, bold and colourful, their two styles and techniques meet on canvas.
Michael Swaney, who was born in Kimberley, British Columbia in 1978. His canvases can be described as playful, naïve, multi-coloured and vital. He cites his three biggest influences as: “dancehall, food, emma”.
HuskMitNavn, which translates as “Remember my name,” is an ironic nod to the fact that few know his real name. Born in 1975, he works and lives in Copenhagen. HuskMitNavn uses a variety of media, from street art to paintings to drawings to graphics, to provide a humorous commentary on everyday life and politics, and the absurdities that give him “food for thought.”
by Ruttkowski68 on September 22, 2013
Parra, whose real name is Piet Janssen, is a Dutch artist whose works are distinguished by their study in contrasts. They are at once figurative and abstract, colorful and plain, as illustrated in his solo exhibition, And wait for something to happen. The works on show feature chubby females experiencing both the normal and abnormal in a metaphoric and literal sense.
Parra says he is inspired by “the everyday and the awkward,” whether it appears on the internet, in books, or in events he has observed. This allows him to address or even exaggerate issues using irony, humor and sexuality. Parra’s dry, witty and frank interpretation of glamor, pop culture and mass consumption has made him a darling of the art world.
by Ruttkowski68 on July 24, 2013
Stohead, has been in the game a long time. When he talks about the early days of his career as a graffiti artist, his narrative is dotted with historic moments that defined him, his works, and Germany’s graffiti culture. The 39-year-old artist, whose real name is Christoph Häßler, has influenced the evolution of German graffiti from a subculture associated with vandalism to a form of contemporary art gracing museums and private collections worldwide.
Stohead is best known for combining a graffiti-based style with classical calligraphy to produce letters that are at once figurative and abstract. Under intense physical duress, he paints letters in individual strokes, using broad-tipped, traditional round-tipped or homemade instruments to achieve an expressive work recounting both invisible and raw emotion. His approach – which is ruminant yet harsh, extensive and stringent – recalls a type of performance art. By all means, Stohead describes his style as contemporary calligraphy and terms it Radicalligraphy, a designation that explains both his method and his current solo show.
by Ruttkowski68 on June 3, 2013
French street artist Honet taps into both creativity and curiosity to produce his works. The former graffiti writer-turned-artist is intrigued by the remnants of former generations. His pursuit of artifacts and bio-facts, and his hunger for architecture and cultural landscapes has led him down tunnels, up on roofs, and through every other level in between. Honet records his experiences figuratively, creating illustrations that thrill the art world and provide a legacy for urbanity’s undiscovered corners. His works are like history books that tell of places forgotten, neglected or underestimated.
For his current solo exhibition, Honet treads a thin line between reality and fiction. He embarks on an imaginary journey across planets, black holes and nebulae, probing into biology, histology, anatomy and mythology. There is a collaboration with French artists Ketty Sean and L’Outsider midway, before the tour concludes with Initiation to Fantastic Realism, a showcase of canvases, screen prints, sculptures, photos and post cards.
by Ruttkowski68 on May 21, 2013
After eight years in the making and journeys taking him across the globe, Nils Müller just published his second photo book Vandals. Following his 2009 publication Blütezeit, Vandals takes the illegal and dangerous activity of graffiti on trains on 192 pages to a more personal level, one that is more detailed and yet, more abstract, too. The photos bear witness to the elaborate level of planning required to carry out the acts. They reveal team spirit as well as heightened emotions and tension, as trainwriters attempt to evade motion detectors and security cameras while scaling barbed wire fences.
Coinciding with the publication of Vandals is this eponymous exhibition showcasing a selection of photographs from the book. Presented in large-sized formats, they bring you closer and deeper into the underbelly of railway graffiti. It’s almost like we are on site ourselves.
Nils Müller is a former graffiti artist who taught himself photography to immortalize his work before it was cleaned up by authorities. It wasn’t long before he realized he wanted to show more than just the defacement of public structures. His photographs elevate graffiti into a sophisticated visual language that thrills both because of its illicit nature and aesthetic value.